The instability of perception remains at the center of my work. With our perspectives always shaped by past experiences, each of us, to some extent, is an unreliable narrator.

What began as a graphic, near-digitized, fractured visual language, has shifted into intuitive abstraction. The images often appear disrupted and distorted, challenging the idea of a single, stable viewpoint. These interruptions expose the gap between what is present and what is understood, revealing how perception slips or splinters even in the most ordinary moments.

I work primarily in oil, but my practice is interdisciplinary. Across mediums, I’m interested in the mechanics of how form, fragmentation, and rhythm shape the way we make sense of something, or fail to.

Ultimately, my work is an inquiry into the impossibility of complete understanding. By breaking images apart and reassembling them, I invite viewers to consider how every moment is filtered through personal history, bias, emotion, and the limits of our own perspective.